marya; 19; mexican; dabbles in self loathing; drinks a nice tall glass of white tears daily as nutritional supplement; lives life through tv shows; melodramatic as fuck; uses popular slang unironically; dropped out of high school to impress radiohead; currently obsessed with archer, hannibal, and orphan black; --
My apolotweets might not have fit the scale of the crime for some, so I’m following them up with one of my patented apoloblogs. I want to clarify, I’m apoloblogging in an effort to counteract pain I caused other people. Not because I think what I have to say is important - this is one of those days when I’m definitely fantasizing about getting less attention. And less money, and less oxygen, and, like, getting run over by a bus and stuff. But while I accidentally have your attention, I want to use it to say things I would have and should have said instead of what I did say.
On Sunday night, during my award winning Harmontown podcast (*), which is available for free and, for those interested, is a joyfully overflowing source of opportunities to dislike me, I vented some spleen about the allegedly traumatizing experience of binge-watching a season of TV I didn’t get to control (cue microscopic violin). Laughs were had, I felt better, I cried about my Dad, we played Dungeons and Dragons - it’s a great podcast. It’s not as good as “This Feels Terrible with Erin McGathy” or “The Duncan Trussell Family Hour” but it’s pretty okay if you’re, say, a 25 year old aspiring narcissist whose drive to work is two hours long and thinks stammering is hot.
I went to bed feeling great, woke up and started work on season five of Community with our exciting season five staff. I took them to lunch, checked my tweets, discovered my name in several headlines next to several bad words, and, as usual, it was then that I started to consider how my words might affect other people if viewed as headlines. After five seconds of thinking, I realized, as usual, that other people might be hurt, and that I really need to do this whole “saying things and thinking about other people” cycle in a different order at some point. I think it would make my podcast shorter but I think there’s a lot of listeners that would consider that an upgrade, too.
Here’s a list of people of whom I failed to think in that moment, and the sincerely owed apologies to them.
I am first and foremost sorry to Community fans that got paid nothing to stick by Community and get us to a fifth season only to hear the incoming showrunner say some stuff that felt very un-Community. Even if my goal had been to hurt someone, it would never have been you. What I said was disrespectful to your love for this show, love that I sometimes erroneously equate with validation of me as a person. I am unwittingly and unfortunately infamous for the amount I care about your opinion. I often say that I write in an attempt to “make people like me.” I’m realizing what makes me unlikable is that I haven’t made the leap from “caring what people think about me” to “caring about people.” And let’s face it, if I’m doing this at 40 how cool am I going to get before I die. But I do know, every minute of every day, that I owe you folks what I consider to be my life and guarantee you that every time I’ve pissed you off it’s been on accident. And to keep from hurting you, I’m going to try thinking about you before saying things into microphones. I’m usually okay at it when I’m talking to actual press, because there’s a big visual reminder in the form of a cube on a mic or monkey in a diaper on the table. But when you’re listening to Harmontown, or, worse yet, reading transcripts from Harmontown, you’re catching me in unforgivably human moments. Obviously the solution is to stop talking about my job in my podcast until production is safely complete. That will protect the show you love, and your love of it, from the creator with the Mouth from PR Hell. I will do this. But more importantly, I am sorry.
Next I want to apologize to the people that did get paid to work on that season, but not enough: the cast and crew. I get personal value out of being as honest as possible, but, honestly, how honest was what I said? It was dishonest to imply that something you worked on was as hard to watch as my family being assaulted. I was riffing and tried to turn darkness into levity through shock and hyperbole. I was very much not thinking about anyone but myself while watching that season, which was the crime. I hope over time you’ll forgive me. I wasn’t thinking about your contribution or describing it. I was just indulging my petty feelings about being left out. It seemed kind of funny at the time because it seemed at the time like I was the only person with feelings. Because my head was up my ass. Again, it’s been up there 40 years so it would be dishonest to promise it’s coming out, but what I can promise is that I’ll stop talking about the show without thinking of you. You second, fans first. I think that’s how you’d want it.
Thirdly, because they got paid more, but still not enough, the season 4 writers. I’m sorry I pooped on your work. You had to do something nobody should have to attempt, and you had the option of doing it the lazy way or the sellout way and you clearly did what you did because you were thinking of the fans. There was some amazing stuff in there. Funny jokes. I liked the “Hogan’s Villains” line. The idea that in Germany, people watch Hogan’s Heroes, but they call it Hogan’s Villains, is seriously so funny I had to rewind it a couple times to finish laughing. I will apologize to the Germans later. Season 4 writers: Thank you and I’m sorry. As I went on to say in my podcast, the creatives are not the bad guys…I shouldn’t be letting an inhuman system that doesn’t care about humans enough turn humans against humans. Especially us. Don’t tell anyone I said this but all writers are better people than all non-writers. Nobody read that unless you’re a writer. I broke a code when I judged the work of writers with whom I wasn’t in the same trenches. I’ll suffer for it because I’ll be looking for a job soon enough and nobody will want to work with Judgy McPsycho Van Crieswhenhetypes. So I hope my ten seconds of, as the kids say, “butthurt” comedy was worth it to me, and I’ll see you in Hell, where, don’t tell anybody I said this but is where I believe all writers go because we make God jealous.
Almost lastly, I have to address this “rape joke” concept. I have to address it because it looks like if I don’t say anything, it could send the wrong message to people with an understandable passion for the subject. This is a subject that is, and should be, insanely volatile and provocative, because it combines the words “rape” and “joke.” It puts them right next to each other, it’s like putting a running chainsaw next to a puppy, it’s just not something you can walk past without getting disturbed and invested. Does anyone think rape is funny? I hope not. Do we become more progressive culturally through the mitigation of inappropriate language? I don’t know, it’s sure worth continued discussion, if you feel strongly one way or the other you should come up on stage at the next Harmontown. In the mean time, I am deeply sorry to anyone I hurt by using the word “rape” in a comedic context. I am sorry to anyone I hurt by conjuring the concept of rape in a metaphor about my stupid hurt feelings. As you saw above, unless you skimmed this blog entry for the word “rape,” I was not thinking about the impact of my words on the people that love Community and work on it. So I hope you can believe me when I tell you I was definitely not thinking about the impact of that word on people that are currently seeking to get it out of comedic contexts. I’m very sorry to have hurt and frustrated you and I will definitely be swayed from the use of that word in comedic contexts because I don’t like hurting people and as an added bonus, I don’t like getting yelled at on Twitter. Especially when the people yelling have phrases like “rape joke” on their side. It’s kind of hard to think of oneself as being “pro rape joke.” Don’t want to be that guy. Done and done.
Oh, on the politically correct side, I just remembered something else. I think when I did my impression of Season 4’s impression of me, I said “durpy durpy dur, I’m Dan Harmon,” which I think I saw someone point out is language used to dehumanize the developmentally disabled, and that’s not cool, I shouldn’t have done that.
Okay, wow, that was a lot of apologizing. That was not a short blog post. Because that’s how sorry I am. Also I love talking about myself, but, trust me, this has been more pain than pleasure for the guy that made you feel bad. Now I’m going to get back to conceptualizing with the writers about season 5 and, I hope, achieve a heightened level of actual empathy in the bargain.
A Remorseful Friend
(*) Harmontown is currently award-free but I don’t want to have to edit this post later.
- liking a piece of media does not automatically mean you think it is perfect or agree with its creators
- even if you are not openly critical of it
- because you don’t HAVE to be openly critical of it
- there is an enormous difference between being an apologist for something and wanting to dwell on the good parts of a thing you like because it makes you happy, please stop conflating these two things
- not talking about the flaws of a thing does not mean you do not recognize the flaws of a thing
- nobody has to apologize for liking what they like and nobody should be shamed for liking a thing
- your fave is problematic too
- you are not a better person than someone just because your favorite piece of media is less problematic than theirs
- you aren’t
Well ok Kesha, maybe it’s because you’re an auto tuned peice of shit who shouldn’t be famous, you have no Buisness being in the music industry, it’s not even your music you fuck, someone else wrote it for you to record and them to auto tune yourself. And it’s not at all good . It’s not positive either. So complain some more.
I don’t know if you know this, tumblr user koolkidseatgreens, but Ke$ha is a certified genius. She has an IQ over 140 and an SAT score of 1500. When she was younger she would go to the library and do research for fun. Ke$ha is a both feminist and an advocate for equal marriage/rights for people of any sexuality, being a queer woman herself.
Ke$ha is a smart, professional woman, and just because she sings songs about wanting to let loose and have fun every once in a while doesn’t make her a piece of shit.
Ke$ha’s songs are meant to point out the sexism in our media. She treats men the same way many men in the music industry treat women, and she is hated on for it. Relentlessly. She sings on multiple occasions about taking charge in a sexual relationship, of how she only uses men for their body parts. She sexualizes men to make them uncomfortable. She sexualizes men for a reaction, so that people can both see why women are so uncomfortable with their sexualization and also to point out the inequality between the sexes both in the media and in the world at large.
She is judged so harshly for singing about things that make many men famous.
If you listen to Ke$ha’s deconstructed album you will see that she actually has some talent, which may be hard to hear because she does in fact use a fair amount of autotune. This is because of her genre and because of the kind of music she chooses to create as an artist. Ke$ha may not write her songs, but this doesn’t meant she isn’t a good artist or a good person. This doesn’t mean she deserves your harsh words. Some singers are good at writing, but that’s hardly a requirement. Last time I checked whether or not you can sing has nothing to do with whether or not you’re a poet.
You should not be calling anyone a piece of shit, my friend, especially someone you’ve never sat down and had a conversation (or even taken the time to wonder about her feelings!), but if anyone deserves that kind of language it’s not Ke$ha.
You may think that by shaming women for expressing their sexuality and having fun every once in a while, that you are somehow abolishing sexism. That in weeding out the less ‘deserving’ women you are gaining our sex more respect. This is not the case, and the fact that you and many others feel such a strong need to shame this woman who has done nothing wrong, especially not to you, shows that we still have a very far away to go.
Gillian Jacobs for Hydrogen Magazine
- for your otp (or any ships you’re into at the moment)
- for a female character
- songs you’ve recently fallen in love with
- expressing a certain emotion
- for a tv show
- about a certain type of relationship (examples: a dysfunctional couple, best friends, mother and daughter, a mushy romance)
- for a male character
- songs you were obsessed with growing up
- for a movie
- something supernatural/mythological/fantasy-related (example: vampires, a greek god, dragons)
- for a fictional friendship
- songs that cheer you up
- for a book
- dedicated to a friend
- whatever you want! you decide!
“In the first pass, we have a body double stand in. And the camera - it’s this awesome thing called a Technodolly - will memorize all the movements in the scene and repeat them automatically every time we reshoot with me as a different character. Then we take the double out, and when I shoot, there’s a tennis ball, an X taped on the wall, or a dot where my clones are standing, and I have to remember where they move throughout the scene. I also have an earwig in my ear that plays recordings of my other characters’ lines. So I’m basically talking to the air the whole time.” - Tatiana Maslany (on playing multiple clones in one scene)
I think you could make me happy.
#i have a quoted tag in my j/b tag and it’s about how jeff doesn’t think he could make her happy #and i think that’s true and that’s part of why he goes for annie - he KNOWS she’ll be happy with any attention #but i think the other half of it is that he really does make her happy like she smiles #she likes helping him he lets her help him #anyways basically i think jeff underestimates how easily he could make britta happy so he self-destructs (via usoverlooked)
3.03 // 4.11